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hyperallergic:

(via Protesters Call for Cancelation of Performance Work Dramatizing Colonial Racism)
A theatrical performance art piece scheduled to run at the Barbican in London later this month has become the subject of a protest, with 14,881 people (as of this writing) signing an online petition calling on the performing arts center to cancel the show.
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hyperallergic:

(via Protesters Call for Cancelation of Performance Work Dramatizing Colonial Racism)

A theatrical performance art piece scheduled to run at the Barbican in London later this month has become the subject of a protest, with 14,881 people (as of this writing) signing an online petition calling on the performing arts center to cancel the show.

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The Making of a Celebrity Portrait by Ian Ruhter

(Source: vimeo.com)

Jennifer Loeber Photographs Her Dead Mother’s Belongings To Cope With Her Grief →

When photographer Jennifer Loeber’s mother died, Loeber began to photograph her belongs as a way of coping with her grief.

Unsettling Portraits Combine Two Different People Into One Indistinguishable Person →

Croatian photographer Ino Zeljak’s series entitled Metamorfoza highlights peoples resemblances by combining multiple portraits into a single photograph.While we’re all different in our own special way, some of us look pretty similar to one another.

hyperallergic:

(via Depending on Nan Goldin)
PARIS — I used to abhor Nan Goldin’s “The Ballad of Sexual Dependency” (1979–1986), her famous 45-minute operatic show of 800 color slides set to a choppy 80s pop music soundtrack. I first formed this opinion after seeing it at the Whitney Museum in 1985, and then by looking at the book in 1986. I never reconsidered my opinion, not even after spending some more time with it in 2003 at her little retrospective at Galerie Yvon Lambert in Paris (one of Paris’s top galleries that will be closing soon). I felt then that her photographs merely plagued me with clichés.
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hyperallergic:

(via Depending on Nan Goldin)

PARIS — I used to abhor Nan Goldin’s “The Ballad of Sexual Dependency” (1979–1986), her famous 45-minute operatic show of 800 color slides set to a choppy 80s pop music soundtrack. I first formed this opinion after seeing it at the Whitney Museum in 1985, and then by looking at the book in 1986. I never reconsidered my opinion, not even after spending some more time with it in 2003 at her little retrospective at Galerie Yvon Lambert in Paris (one of Paris’s top galleries that will be closing soon). I felt then that her photographs merely plagued me with clichés.

READ MORE